Who is the woman who follows the art created by AI? | Smart news

One of Loab’s iterations
@superkompozit / Twitter

Earlier this month, Twitter user Supercomposite posted a topic of haunting images featuring a woman she calls “Loab,” who usually has red cheeks and dark, hollow eyes. Since then, the images, which range from disturbing to grotesque, have gone viral.

Loab’s images all come from an artificial intelligence (AI) art tool. These tools, like DALL-E 2, create text-based images that prompt users to enter the platform—and they’re having a cultural moment lately. Just last month, a piece of art created by AI won the Colorado State Fair art competition. Many artists are experimenting with such tools to merge art with technology and create new, avant-garde pieces.

Supercomposite, a Swedish musician and AI artist, is one of them. She writes that she started with the “Brando” prompt and used something called “fast negative weights” — that is, she asked the AI ​​image generator to create opposite of her fast text. In response to “Brando,” the tool generated an image that looked like a logo, which read “DIGITA PNTICS.”

“I was wondering: Will the reverse of that logo, in turn, be a picture of Marlon Brando?” wrote Supercomposite on Twitter. The artist entered the words “DIGITA PNTICS Skyline Logo”. And that’s when Loab (named for a word that appeared in one of the images) started appearing.

These first images of Loab aren’t particularly scary. But when Supercomposite began combining them with other neutral images—like a glass tunnel—terribly disturbing images materialized.

“Supercomposite took those first creepy images of Loab and basically said to AI, ‘Hey, draw me something new with this woman as a base,'” he writes. CNETJackson Ryan is. “It brought up all kinds of macabre and terrifying images.”

Because Loab is now an Internet celebrity, Supercomposite doesn’t want to advertise which AI generator it worked with; she wants to avoid starting “a kind of viral trend of people doing embarrassing things with the tools I used,” she says. CNET.

Supercomposite thinks its process “makes art, but also reveals AI’s vulnerability for malicious use in other cases,” she wrote in the Twitter thread. Image stimulation, particularly rapid negative weighting, can provide opportunities for artists to “produce new styles” and “find emergent accidents,” she adds.

At the same time, critics say we should examine why the AI ​​art generator associates the original Loab – who looks like a potentially real old woman – with horror. “On Twitter, one critic accused Supercomposite of”stigmatizing disabilitywhile another noted that the association of this face with horror imagery is a reflection of how our culture afflict those that are considered less attractive”, he writes Rolling StoneMiles Klee i.

But Supercomposite believes that people have “the right to be critical of AI,” as she puts it Rolling Stone. “It is clear that an association has been made that should not have been. … I also think some people are being very silly and making fun of how Loab looks in the first pictures as if it were a horror show. That’s not the point at all and it bothers me. She seems like an average person to me, just sad.”

As formidable as some of these generations of Loab are, many details of its history are still unknown. CNET notes that the specific requirements used are “not public knowledge,” and we also don’t know if any of the images generated by the Supercomposite had “elements of ‘Loabness'” that were less of a concern.

Regardless, Loab sparked some long-standing ethical conversations about visual aesthetics, art, and technology. Supercomposite has more images she’ll continue to share, and she encourages Twitter users to check back for their daily dose of Loab.

“She finds everyone sooner or later,” Supercomposite wrote. “You just have to know where to look.”

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